Please note that Affinity documents support multiple drawing scales within the same document, which cannot be honored in a DWG/DXF file, so only the first/common drawing scale is applied. If you export a rectangle that is one inch wide and your drawing scale is 1:10, the rectangle will be exported 10 inches wides. When enabled, the drawing scale is honored. If ’Scale dash patterns’ is on, Affinity’s behavior is used, so dashes will be scaled down if the line weight had to be scaled down. The former is similar to AutoCAD’s behavior – when you change an entity’s line weight, it does not recompute the dashes, which is effectively the opposite of Affinity’s behavior. it is clamped to the 2.11mm maximum), you may expect the dashes to stay the same length, or you may prefer them to scale automatically as they do in Affinity. If any line weight adjustment is made to an exported curve (e.g. The dashes are ignored and the continuous line type is applied to the exported curve. (DWG supports dash patterns, but DWG dashes do not scale automatically with line weight, as they do in Affinity.)Įxpands the dashed stroke. The expanded stroke is then exported as a hatch.Ĭlamps the line weight to a maximum of 2.11mm.ĭetermines what to do with strokes with a dash pattern applied. The line weight is then clamped to the DWG maximum of 2.11mm.ĭetermines what to do with strokes with a line weight > 2.11mm, which DWG does not support.Įxpands the stroke. The expanded stroke is then exported as a hatch.ĭrops the pressure profile from the stroke. Replaces the bitmap fill with a solid fill of middle gray.ĭetermines what to do with strokes with a pressure profile applied, which DWG does not support.Įxpands the stroke with its pressure profile. Replaces the stroke with a solid fill of middle gray.ĭetermines what to do with fills with a bitmap fill applied, which DWG does not support. Replaces the gradient with a solid fill of the color of the gradient’s first stop.ĭetermines what to do with fills with a gradient fill applied.ĭetermines what to do with strokes with a bitmap fill applied, which DWG does not support. Similar to above, but instead of the top-most Affinity layer, it uses the Affinity layer that is closest to the exported item.Īs above, but only Affinity layers that have a name are treated as candidates.ĭetermines what to do with strokes with a gradient fill applied, which DWG does not support. If the item isn’t the ancestor of an Affinity layer, it ends up in Layer 0 otherwise, it ends up in a layer with the same name as the top-most Affinity layer. This setting determines how Affinity layers are mapped to DWG layers, and therefore which DWG layer an exported item belongs in.Īs each item is exported, Affinity will search for the item’s parent layers in the Layers Panel. There is always a default ‘Layer 0’ in a valid DWG/DXF file. That said, within export, we do offer various options on how to deal with some of the unsupported features/differences in the file format.Īll entities in DWG/DXF belong in a layer. Because of this – as well as some of the other fundamental differences in the file formats such as layer structure – we do not consider this a format which is suitable to round trip in Affinity and wouldn’t recommend collaborating with an AutoCAD user on the same DWG file. It’s important to note that both these file formats are primarily concerned with vector outline data, with limited support for many of the features Affinity offers. For those who used the States Panel in Affinity Photo, you will notice we have changed the name of what were previously called ‘Smart States’ to ‘Queries’.ĭWG and DXF export added to Affinity Designer.This is also a new function now available in Affinity Photo. As well as toggling visibility of queries, there is an additional button to select all layers that fulfil the criteria specified in the query.Create queries based on various criteria to make a selection or toggle visibility of layersĪdditional notes (including changes to existing feature in Photo):.Capture the current layer visibility across your document.But now, the new States Panel gives you a much better way to work since you can: Previously if you wanted to toggle between artboards in Designer or spreads in Publisher, you would need to toggle the visibility of the appropriate layers on each one separately – a tedious task when you’re working from many different artboards/spreads. Already a feature in Photo, the States Panel is an exciting addition to Designer and Publisher, particularly useful for managing different variations of a project or campaign.
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